Exhibition information

kyoto ddd gallery the 251st Exhibition DRAW—Kenya Hara draws: An exhibition of originals

April 04, 2026 - June 03, 2026

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Sketching is the process of taking a vague idea floating in your mind and bringing it into the dimension of this physical world—Kenya Hara, from the preface of DRAW

DRAW is the first collection of drawings by Kenya Hara, a designer whose rich imagination has provided the wellspring for his wide-ranging activities, which include art direction for MUJI, designing corporate identities, and exhibition production.
This exhibition presents a selection of original drawings from DRAW to provide a view into the work of this versatile and multitalented designer. They include drawings Hara produced to give outward expression to shapes and forms conceived in his mind, sketches that are vestiges of imaginative leaps he made when approaching a challenge with a “what if” mindset, and rough sketches of books that took form as he worked on exhibition concepts and designs.
Kenya Hara draws. Wherever he is, he keeps drawing. The creative originals exhibited, produced by the designer’s hand, are examples of the drawings that are the first physical manifestation of all his convincing solutions, from individual posters to concepts for the future.

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Kenya HARA
Born in 1958, Kenya Hara is a designer, the president and CEO of Nippon Design Center, and a professor at Musashino Art University. Hara has organized numerous exhibitions in Japan and elsewhere that have reexamined and reconstructed existing value systems. Among these are RE-DESIGN: Daily Products of the 21st Century, which went on tour; HAPTIC: Awakening the Senses; JAPAN CAR: Designs for the Crowded Globe; and HOUSE VISION 1-4. 
Hara has implemented design that is deeply rooted in Japanese culture in a wide variety of projects such as the Nagano Olympics’ opening and closing ceremony programs and EXPO 2005. He has served as art director for MUJI since 2002, and has worked in a wide variety of fields. His projects include Matsuya Ginza, Mori Building, Tsutaya Books, Ginza Six, Mikimoto, Yamato Transport, and visual identity for the Chinese electronics company Xiaomi. 
In 2008 and 2009, a large-scale solo exhibition of Kenya Hara’s work was held in Beijing and Shanghai. In 2016, at the Milano Triennale, an exhibition titled NEO-PREHISTORY: 100 Verbs, on which Hara and Andrea Branzi collaborated, represented human history in terms of the coevolution of tools and desires. For the project of the Ministry of Foreign Affairs known as JAPAN HOUSE, a cultural institution with locations in Sao Paulo, London, and Los Angeles, Hara served as a comprehensive producer, pouring his energy into the task of representing Japanese culture as a resource for the future. In 2019, Hara launched a website for the High Resolution Tour project, introducing various locations in Japan from a unique perspective, and pioneering a new approach to the tourism industry. In 2025, for Expo 2025 Osaka, Kansai, Japan, Hara serves as the general producer of the BLUE OCEAN DOME.